A Palette of Possibilities

By Sandra (Sam) Christensen, ARTspot Contributing Artist and Writer

Houston, We Have A Purple.  Be A Dahlia, Won’t You.  Met On The Internet.  I read 

the names off the bottoms of the bottles as I choose my pedicure nail color.  This is 

what color designers do when there are fifty shades of pink and purple to name.  

Each color’s story intrigues me.  

For as long as I can remember, color has intoxicated me.  Its gluey, suction cup arms 

scoop me up and transport me into another sphere.  Locked in a tight embrace, we 

whirl and twirl with delight, unencumbered by any worldly cares.  At last I am 

returned to earth, the music still beating in my heart, breathless and longing for 

more.  Only a second or two have passed, yet I have been on an enchanted journey.  

Over the years, my love affair with color has taken me down many roads.  Painting, 

sewing, quilting, knitting, gardening, and decorating have all captivated me.  Each 

new art form necessitates the gathering of more colorful supplies.

Sam painting an abstract self portrait at the ARTspot Studio.

Sam painting an abstract self portrait at the ARTspot Studio.

Knitting requires yarn—colorful yarn.  Hand dyed, or better yet, hand-painted by 

women in Peru.  Arranged in bins, it is ready to be admired whenever the mood 

strikes.  And gardening, well, you can’t do it without colorful plants and flowers.  A 

trip to the nursery can feed me for days, especially if I return home with an exotic 

morsel of color.  Or a whole flat.  Colorful tiles, called tesserae, are the tools of 

mosaic artists, as are beads and cabochons and all manner of glass do-dads.  

Displaying them in transparent jars and bowls is a great way to quicken my pulse 

with just a glance.  Did I mention my fabric stash?  

That brings us to my art supplies.  Although I dabble in many mediums, my acrylic 

paints are my most used.  As one might expect, there is a vast array of colors from 

which to choose.  But it doesn’t stop there.  No, not at all.  Always on the lookout for 

something new to dip and smear, I’ve discovered paints with previously unimagined 

effects.  Iridescent, metallic, duochrome, and, my favorite—interference.   When it 

comes to color, I am polyamorous.  Warm, cool, intense, soft, translucent, opaque—I 

love them all.   

While taking a class at my local art store, the teacher peeked into my open supply 

case.  “Sam, you have more paint colors than I do, and I own an art store!”  I wasn’t 

sure if it was a compliment or the beginning of an intervention.  Just to be safe, I 

quickly closed the lid and changed the subject.  

Each label of my favorite paint has a hand-painted swoosh of that particular paint 

over three black diagonal lines.  Not only can I immediately evaluate the opacity, 

texture, and color, I can see how it looks over a white or black background.   And the 

manufacturer provides free hand-painted color charts of all their paints.  The walls 

of my studio are adorned with them, along with those I have made with my other 

paint and supplies.  The abundance of color feeds my soul.  It is my palette of 


This is what attracts me to my clinical work—imagining all the possibilities.

Unaware that there are other colors to choose from, most folks first enter my 

consultation room clutching giant tubes of black and white, which they buy in bulk.  

Locked in rigid thinking, they are unaware that there are other options.  Our work 

together will be focused on expanding their palette.  It is important that I introduce 

new possibilities in a manner that inspires exploration, without being 

overwhelming.  It will require both parties to be brave.  And I will rely on each 

person’s intuition about what speaks to him or her.  “But hang on to your black and 

white,” I think.  “They will come in handy.”

“I love the way you use color,” I told her as we sat at the table waiting for our food to 

be served.  “Color is about combinations,” she replied.  Knowing I was hearing the 

wisdom of a master, I scribbled down her words on the napkin in front of me.  As an 

amateur artist with much to learn, I was thrilled to be at the four-day workshop she 

was teaching—Brave Intuitive Painting.  The journey would begin the following day. 

After a mini lesson on the color wheel and the qualities of translucent and opaque 

pigments, we were set free to explore the rainbow.  By alternating warm and cool 

colors, and letting each layer dry in between, colors would remain fresh and we 

would avoid making mud.  “There are no mistakes,” she said.  “Be brave.  Follow 

your intuition.”  

Using my fingers, brushes, rags, and a variety of mark making tools, I dripped, 

slathered, and smeared.  I did a few layers blindfolded.  This playful approach 

allowed me to experiment and discover previously unrealized effects and color 

combinations.  Step by step, I built up rich, textured layers.  If I didn’t like something, 

I applied new colors on top of the old.   It was a liberating and forgiving process.  But 

after awhile I began to feel overwhelmed with the infinite options.  I wasn’t sure 

what to do next.

But I did not have to figure it out by myself; my color master was by my side, ready 

to guide me.  “It’s time to bring more focus to your work.  Let’s talk about spiraling 

in and spiraling out.”  When I stepped back from my canvas, my perspective grew.  

Seeing it as a whole got me in touch with what was working and what was not.  And 

I was better able to see the colors and elements that cooperated and those that 

collided.  A more focused palette and composition began to emerge.  I spiraled in to 

develop the areas that spoke to me and rework those that needed attention.   Then I 

spiraled back out for an expanded perspective.  The process continued.  

“Let’s get out your black and white,” said my teacher. “You can use them to define 

specific areas and add depth.  They will make the other colors pop.”  She was right, 

they did.  I had stepped out of the familiar comfort of what I knew and was 

rewarded with something richer and more complex than I thought I was capable of.  

This is a process that both intrigues and captivates me.  It is an honor to accompany 

others as they bravely explore the depths of what is possible for them.  As we build 

the layers together, we both learn more about what it is to be human.  Witnessing 

others as they open up to new ways of seeing and defining themselves expands my 

palette as well.  It is a journey for me too, one that leaves me breathless and longing 

for more.